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Photo of marco barahona barahona
marco barahona barahona
Ecuador

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Biography

Marco Barahona naciun April 9, 1970, now has a degree in Advertising and Marketing and a professor at the selection of art in the Holy Spirit College. Exercises professional painting from the year 1996, although his interest in art goes back to his childhood years. The first drawings vfueron the journal of comics, which came heavily to the town where I live, being the only entertainment to which access is pruned, rented...
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11.02 x 15.75 in
Painting
35.43 x 47.24 in
Painting
47.24 x 35.43 in
Painting
47.24 x 39.37 in
Drawing
19.69 x 13.78 in
Miscellaneous
13.78 x 19.69 in
Painting
13.78 x 19.69 in
Drawing
59.06 x 70.87 in
Painting
Drawing
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Photo of marco barahona barahona
marco barahona barahona
Ecuador

Marco Barahona naciun April 9, 1970, now has a degree in Advertising and Marketing and a professor at the selection of art in the Holy Spirit College. Exercises professional painting from the year 1996, although his interest in art goes back to his childhood years. The first drawings vfueron the journal of comics, which came heavily to the town where I live, being the only entertainment to which access is pruned, rented over and over again the same magazine, until I could buy me 8 sucres once a month, we were with the whole family to Naranjal film, I remember the most famous were those of Wuang Yu, the artist recognizes that these events l valued made every detail of composition, as evidenced in his work now. Sometimes in the evening a face looks at us from the depths of a mirror, art should be like a mirror that reveals our own face. I realize that all the years I've been painting I looked into the aesthetics of nature, and in my afn by to learn about their organic forms and colors always lead to the study of the human figure. Vivo Find it art as a knowledge, beauty and truth. And AHES where I once more shut up in my pictures, looking at me, shifting my body, analyzing the colors of my conscience, in a battle to break the repetitive frames and tax schemes, the artist naked, unadorned free of isms and avant-garde. I think the human figure can not be excluded jams of pictorial representation, at least as long as human beings on this earth, as it is a source of truth and spiritual knowledge. I can walk about the city and I find endless ways to reveal the degradation of the human condition ascom the sublime of noble spirits. Although the artists are at the expense of the sympathetic audience that is as capricious as the wind blow, and to evade estacostumbrado smismo knowledge, I actually, I confess, I have the comfort of escape and repeat with porfa mmismo on approaches that deepen my agitation spiritual.

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